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Open a larger version of the following image in a popup: Fredartsy, Philately - Queen Elizabeth II The Machin Series Scottish, 2026
Open a larger version of the following image in a popup: Fredartsy, Philately - Queen Elizabeth II The Machin Series Scottish, 2026
Open a larger version of the following image in a popup: Fredartsy, Philately - Queen Elizabeth II The Machin Series Scottish, 2026

Fredartsy

Philately - Queen Elizabeth II The Machin Series Scottish, 2026
Oil on Canvas
Height X Width (16.75" X 12.75")
$ 3250.00
Fredartsy, Philately - Queen Elizabeth II The Machin Series Scottish, 2026
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Fredartsy, Philately - Queen Elizabeth II The Machin Series Scottish, 2026
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In this compelling mixed media work, the artist confronts the historical and contemporary complexities of national identity within the United Kingdom. Appropriating the universally recognized format of the standard postage...
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In this compelling mixed media work, the artist confronts the historical and contemporary complexities of national identity within the United Kingdom. Appropriating the universally recognized format of the standard postage stamp—specifically Arnold Machin’s 1967 effigy of Queen Elizabeth II—the piece transforms a mundane, bureaucratic emblem into a powerful, multifaceted symbol of cultural fusion.

The central thesis of the work lies in its complex graphic and textural interplay. The £3 denomination, rendered with a hyperrealistic painting technique, gives the stamp an imposing, monumental presence. The traditional, void-like black background of the definitive stamp is preserved, but the monarch’s profile is drastically reimagined.

The entire silhouette serves as a canvas for a meticulously rendered Saltire, the white cross and blue field of the St Andrew's flag. Crucially, this integration is not a simple mask, but an interwoven composite. The Saltire stripes are built not just of color, but of intricate, symbolic textures: a precise blue and white plaid tartan (representing historic Scottish lineage) weaves alongside detailed white and blue thistle floral patterns (the official Scottish national emblem). This layered composition suggests that Scottish identity is not merely superimposed upon the British institutional form, but is foundational to and interwoven with it.

A critical point of symbolic unification is the diadem. Rather than traditional British precious stones, the crown features distinct, blue-faceted cross motifs, directly incorporating the Saltire emblem into the structure of royal authority. This, combined with the prominent use of the thistle and the explicit "SCOTLAND" text under the golden crest, provides a unique assertion of Scottish presence within the central British institution of the monarchy.

The piece can be read as a visualization of a unified, symmetrical identity: the sovereign of the United Kingdom is personified by the defining symbols of Scotland. It is a harmonious, if complex, state. At once honoring the historic institutions and giving prominent, woven representation to a foundational constituent nation, "State of the Union" offers a nuanced reflection on what it means to be both Scottish and British in the 21st century. The complex blend of textures—from precise painting to implied gold leaf in the Scotland crest—draws the viewer in, inviting a deeper, more tactile consideration of symbolic and political unity.

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Provenance

San Francisco

Literature

The Machin series of postage stamps was the main definitive stamp series in the United Kingdom for most of the reign of Elizabeth II, from 1967 until her death in 2022. Introduced on 5 June 1967, it was the second series of her reign, replacing the Wilding series. The last issue was on 4 April 2022, four months before the Queen's death on 8 September.
 
Designed by Arnold Machin, the stamps consist simply of the sculpted profile of the Queen and a denomination, and are almost always in a single colour.
 
After five decades of service, the series has encompassed almost all changes and innovations in British stamp printing. This has encouraged an abundant specialised philatelic collectors' market and associated literature.
 
Arnold Machin's 1964 effigy of Elizabeth II was replaced on British coins in 1984 by an older-looking portrayal by Raphael Maklouf. However, the Queen's likeness on British definitive stamps was not replaced after 1967, and she herself rejected the last proposals to replace them.
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